A Thousand Years of Solitude Stitched in Thread

Before the public even queued up for up to nine hours to get the chance to see the Bayeux Tapestry, billionaire Peter Thiel was given a private viewing.

There’s something telling about that. I’ve been thinking about the access he received and what it reveals about why these scenes of solitude, stitched into linen by women who received no acknowledgement, feels particularly relevant today.

Since its documented discovery in the 1400s, the tapestry has been hung at Bayeux Cathedral in France. It survived the French Revolution and the Second World War, and is now on loan to the British Museum in London while the cathedral undergoes renovation.

The Bayeux Tapestry was newsworthy enough a thousand years ago that the stories surrounding the Battle of Hastings in 1066 led to the creation of the 70-metre work of art.

It depicts the history of battles, loyalty and betrayal, death, and the conquering Normans.

It is on display at the British Museum from Sept. 10 until July 11 of next year.

Before it opened to the public, Thiel, the founder of the software company Palantir, which gathers data for intelligence agencies, defense contractors, and governments was given a private viewing at the museum.

The Bayeux Tapestry itself is a collection of data, and its entire timeline, spread across hundreds of micro-scenes, is what we would today call curated information.

It reflects the pattern of who gets to see first, interpret first, and to claim meaning first.

It is stitched ias if it is showing fact, when in reality, it is only a perception of what happened. These are stories told and retold through oral tradition. They have been embellished and they have been shaped by omission.

It is a document of erasure and emphasis. highlights and deletes.

It pronounces the winners from the viewpoint of the conquerors, not the conquered and vanquished. This is why Thiel’s early and private viewing feels so noteworthy to me. It reflects the pattern of who gets to see first, interpret first, and to claim meaning first.

Art is not always available to everyone. History is rarely told by everyone.

Loneliness, when it comes to this master artwork, is about who has been isolated, threaded out, and who gets stithced in with reinforced backing on the linen.

Some figures are centred in the narrative, while others appear only at the periphery.

Medieval power then is modern privilege now.

Part 2: The loneliest scenes in the Bayeux Tapestry on Saturday.

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